Casino Versus Japan Tour
- Casino Versus Japan Tourism
- Casino Versus Japan Tours
- Casino Versus Japan Tourist
- Casino Versus Japan Tour Packages
Birth name | Erik Kowalski |
---|---|
Origin | Milwaukee, Wisconsin |
Genres | |
Years active | 1998–present |
Labels | |
Associated acts | |
Website | casinoversusjapan.bandcamp.com |
Casino Versus Japan Tourism
Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Paul Kowalski (born May 5, 1973 in Manitowoc, Wisconsin), a United States-based musician who works in electronic music.
Casino legalization means a ban on private-sector gambling will be lifted for the first time ever in Japan — a historic policy shift in a nation where gambling has long been outlawed. Casino Versus Japan is the production alias of Milwaukee-based musician Erik Kowalski, a discreet artist who’s been tracing his path away from the limelight. To those not familiar with his sound, Erik’s expansive guitar loops present a unique strand of shimmering electronica made up of blissed-out harmonies, ear candy melodies, swirling downtempo drum patterns, teaming with nostalgic.
Casino Versus Japan is the recording name for Erik Kowalski (born May 5, 1973), a United States-based electronic musician from Lexington, Kentucky by way of Milwaukee, Wisconsin, who produces intelligent dance music (IDM for short) with baroque melodies and distorted trip-hop beats. /r/CasinoVersusJapan is designed as a hub for fans of Casino Versus Japan to discuss albums, projects, tour information, and more. Feel free to post your favorite song, video, or news. That Casino Versus Japan has such a reverent following is a testament to Kowalski's supple and clear-eyed manipulation of sound. Even in the intimidating expanse of his 2016 album Frozen Geometry—which spans 80 tracks and more than three hours—Kowalski largely focuses on concise tracks in which melodies firmly but gently tug against powerful atmospheres.
Influences[edit]
As a child, Erik Kowalski was originally heavily influenced by Jan Hammer's music for Miami Vice, as well as Vangeles and Jean-Michel Jarre. Kowalski taught himself piano, guitar and drums in the early '90s while in high school.
Early work and releases[edit]
Recording guitar-based, ambient/experimental music as Radiogate in 1996 and 1997, Kowalski matured in the underground electronic music community in Milwaukee, Wisconsin. He worked at Atomic Records for 14 years and also wrote for the alternative fanzineMilk Magazine which also informed developments within many styles of innovative music. During this time he interviewed many of his favorite artists and influences. In early 1998, he approached Mike Bailey (d. 2019) of the local electronic label Star Star Stereo with some demo tapes, and shortly thereafter, released his self-titled debut Casino Versus Japan. This subsequently led to live performances (including several dates opening for Low) with Charles Wyatt (Charles Atlas) accompanying Kowalski on guitar, as well as a subsequent tour opening for Deerhunter in 2010. In January 2000, Go Hawaii was released on CD by Wobblyhead (later on double-vinyl LP by City Centre Offices, 2001). By the summer of 2002, the track 'It's Very Sunny' was used in a Hummertelevision commercial. His song 'Go To Sleep' was used as a bump for Adult Swim. His third album Whole Numbers Play the Basics, followed in September, 2002 on Carpark Records. The song 'Manic Thru Tone' was used in MTV's 'Choose Or Lose' campaign in the fall of 2002. In 2012, the title track from Go Hawaii was covered by Adam Peters for use as the incidental theme music for Oliver Stone's film Savages.
Collections and collaborations[edit]
Hitori + Kaiso (1998–2001), a collection of unreleased tracks, appeared in 2004. The album was compiled and released by Attacknine Records from a large archive of material initially presented as a gift to Nick Huntington of Freescha, and not intended for public release. Huntington enthusiastically encouraged a release, however, which also resulted in the 2010 collection Night on Tape, another batch of selected tracks from the same archive.[1] Casino Versus Japan and Freescha released a Split EP together in 2004.
Tracks by Casino Versus Japan have featured heavily during the intermissions of NPR's Radiolab podcast.[2] In July 2011 Radiolab were licensed to allow followers to download Casino Versus Japan's Miano: A Pink Night For Snowmen from the Night on Tape album.[3]
Discography[edit]
Albums and collections[edit]
Casino Versus Japan Tours
- Casino Versus Japan, CD (1998, Star Star Stereo)
- Go Hawaii, CD (2000, Wobblyhead) 2x12' LP (2001, City Centre Offices)
- Whole Numbers Play the Basics, CD and LP (2002, Carpark Records)
- Hitori + Kaiso (1998–2001), Double CD (2004, Attacknine)
- Casino Versus Japan [Reissue] (2010, Moodgadget)
- Night on Tape (2010, Attacknine)
- Frozen Geometry (2016, self-release)
- Suicide By Sun (2018, self-release)
- Echo Counting (2020, self-release)
Singles and EPs[edit]
- Casino Versus Japan + Jessica Bailiff, split 7' (2000, Star Star Stereo)
- 'Via', 10' (2001, Wobblyhead)
- 'Silver And Gold' b/w '64 Colors' Split 7' w/ Am Boy (2004, Wobblyhead)
- 'Casino Versus Japan + Freescha' [Split] CDEP/12' (2003, Wobblyhead)
- 'Damaged Errata', 'Scenic Loop' (2015, Attacknine)
References[edit]
- ^Night on Tape Description from Attacknine Records Online. Accessed: May 27, 2010.
- ^[1] Online. Accessed: July 10, 2012.
- ^[2] Online. Accessed: July 13, 2011.